Armida

Congo Bill is hired to locate an heiress lost somewhere in Africa.

When a plane carrying the daughter of a millionaire crashes in an African jungle, two pilots set out to collect the reward. They discover that she has become the goddess of a primitive tribe. An insurgent witch doctor and fierce wild animals make escape from the jungle difficult for the trio.

A man is pardoned from prison and returns to Santa Rita, CA to be with his family, but discovers his children have been told he's dead and his wife is in love with another man.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

A cowboy arrives in a small town and winds up trying to help a local rancher stop a gang of cattle thieves while romancing a pretty young girl.

Three American sailors on shore leave from the Pacific Fleet discover that a crazed inventor plans to launch an attack on the fleet and set out to thwart his plans.

Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).

When the ballerina star of a musical feature walks off in a huff, aided by the fit-throwing director, her understudy steps in and a star is born.