Encarna Paso

Acting

Encarna Paso

Born March 25, 1931 · Madrid, Spain

Died August 18, 2019 · aged 88

Encarna Paso (Madrid; March 25, 1931) is a spanish actress.

Known For

Queen of the ChanteclerQueen of the Chantecler · 1962
Queen of the Chantecler
★ 5.91962
MovieRomanceDrama
A Spanish music hall performer gets caught up in espionage during the First World War.
El grano de mostazaEl grano de mostaza · 1962
El grano de mostaza
★ 7.21962
MovieComedy
Evelino Galindo, the serious owner of a porcelain store, argues with the womanizer jeweler Orcajo for an insignificant game of dominoes. Evelino, enraged, challenges him the next day to a duel in the gym. But after meditating a bit he starts to get scared. That is why, with the help of his friend Leoncio, he sharpens his wit to find a way to escape from combat. However, the situation is becoming more complicated.
Double FeatureDouble Feature · 1984
Double Feature
★ 5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
La mujer es cosa de hombresLa mujer es cosa de hombres · 1976
La mujer es cosa de hombres
★ 8.01976
MovieComedy
Demons in the GardenDemons in the Garden · 1982
Demons in the Garden
★ 6.01982
MovieDrama
Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.
Cousin AngelicaCousin Angelica · 1974
Cousin Angelica
★ 6.51974
MovieDrama
When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.
The Glass CeilingThe Glass Ceiling · 1971
The Glass Ceiling
★ 5.31971
MovieMysteryHorror
A lonely housewife hears a man’s footsteps in the apartment above her late at night. The upstairs neighbor insists it is her husband who has returned from business but her explanations are soon contradicted. The woman begins to think her neighbor has murdered her husband.
Botón de anclaBotón de ancla · 1948
Botón de ancla
★ 6.01948
MovieDrama
Marín, Galicia, Spain. Carlos, José Luis and Enrique, three good friends and final year students in the Naval Academy, argue due to love issues.

Filmography

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Double FeatureDouble Feature · 1984
Double Feature
★ 5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

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