Jacqueline Duc

A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

In spite of his failures as a peddler, Casimir guaranteed his fiance that this time the vacuum cleaners will work for good. But he's still unsuccessful until he go to the appartment of Paul-Andre, a painter who was engaged by correspondence to a rich south-American woman. That's exactly when she arrive armed with a gun infuriated after she had received a rupture letter from the man she had never seen. She mistakenly took Casimir as her painter lover. Casimir his ready to flee until he learned she owned many hotels, a thousand rooms in fact. "A thousand rooms, a thousand vacuum cleaners", he suddenly think.

In the 1880s, Georges Duroy, back from the Colonies, arrives in Paris with the firm intention of conquering the capital through his power of seduction, his selfishness and cynicism. Entering into journalism through the back door he will soon rise to the top with the support of several women: Madeleine Forestier, the wife of his journalist friend Charles; Clothilde de Marelle, his first mistress; Virginie Walter, the wife of a newspaper owner; Suzanne Walter, her daughter who eventually marries Duroy.

In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.

A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.

Jean Levêque has been unemployed for two years. His wife, Armelle, tries to support the family but her salary cannot cover all the expenses. Together with his wife and father-in-law, he imagines stealing a truck carrying used banknotes destined for destruction. With the help of a vehicle of the road service, they perpetuate their coup which succeeds perfectly

A father wants to try by all means to avenge the death of his son, a test pilot, whose responsible is the attractive female star of a Parisian cabaret.

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.