Mayumi Shimizu

Nikkatsu finally responds to Suzuki's growing discontentment by giving him a bigger budget and a better script. This episodic collection of "real coast guard action stories" was the perfect vehicle for Koji Wada. Whatever negative press he had received for Tokyo Knights was quickly forgotten. He became the new "teen star." And Suzuki: "the director to watch."

An unofficial sequel to Million Dollar Match (1961) which also starred Koji Wada as a young energetic boxer. This story deals more with betting action surrounding a boxing match, concentrating mostly on the high-powered Yakuza gambling dens.

Shoichi Kokubun is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

Hidejiro is a wandering yakuza with a ‘karashi botan’ (Chinese lion and peony) tattoo. Owing a favor to the Soda Family, he kills the boss of the rival Sakaki Family. When the Soda attacks the Sakaki and double-crosses him, with sword in hand, Hidejiro seeks brutal retribution.

A college student takes over the family business in the field of organised crime.

Bobby is an underachieving high school kid with a deep love for motorcycles. His most recent achievement seems to have been getting photos of himself on a road trip printed in a motorcyclist hobby magazine. When he gets a letter from a girl his age, he decides to write her back.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.