Marcos Mundstock

All seems well for Amadeo, a shy but talented foosball player who's in love with the free-spirited Laura. Trouble strikes when Grosso, the world's best soccer player, returns home with plans to destroy the village and turn it into a new sports stadium. When Grosso kidnaps Laura, Amadeo receives the ultimate surprise when the figurines from his foosball table spring to life to help him save his beloved and reclaim the town.

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.

A popular and beautiful politician plans to expose the evil-doings of a multinational corporation. Hoping to silence her, the corporation's top executives decide to hire the most incompetent detective they can find to act as her bodyguard.

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

Thirty-year-old Javier is a surgeon and in his free time works as a disc jockey. He decides to marry and move to the United States with his girlfriend María. They make all their plans; they wed, and then María is the first to move and make contacts in their new home, while Javier packs up in Argentina and prepares to start his new life in the States. While he is on the way to the airport, he receives a call from María telling him that she is confused and has been seeing someone else.

Les Luthiers is a comedy-musical group from Argentina, very popular also in several other Spanish-speaking countries such as Paraguay, Peru, Chile, Ecuador, Spain, Colombia, Mexico, Uruguay and Venezuela. They were formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities.

Here Les Luthiers is a recital of the Argentine group of informal musical instruments Les Luthiers, made especially for the 45th edition of the Cosquín Folk Festival. It was presented for the only time on January 28, 2005, at the Plaza Prosper Molina in the city of Cosquín, Córdoba, Argentina, traditional venue of the festival.1

Set around 1910 in the Chaco region, the film depicts the plight of quebracho woodcutters, cruelly exploited by English businessmen with the support of the authorities, local police, and a paramilitary force established by the employers themselves.

Les Luthiers is a comedy-musical group from Argentina, very popular also in several other Spanish-speaking countries such as Paraguay, Peru, Chile, Ecuador, Spain, Colombia, Mexico, Uruguay and Venezuela. They were formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities.

Carlos Iraldi is a doctor, but his knowledge and above all his enormous curiosity have led him to stand out in different branches of art such as writing, painting and photography. His fame, however, is due to the ingenious instruments he invented and which have served as support for several shows by the Les Luthiers ensemble.

Buenos Aires is in a deep recession. As the money runs out, the relationship between an employer and her live-in maid changes dramatically.

Formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities, Les Luthiers premiered this show on Friday, May 13, 2011 at the Astengo Theater, Rosario, Argentina. PROGRAM: 1- Manuel Darío; 2- La Comisión; 3- La Bella y Graciosa Moza Marchose a Lavar la Ropa; 4- Solo Necesitamos; 5- La Hija de Escipión; 6- Bolero de los Celos; 7- Educación Sexual Moderna; 8- La Redención del Vampiro; 9- Encuentro en el Restaurante; 10- Los Jóvenes de Hoy en Día; 11- Rhapsody in Balls. The 'Campanófono autoflajelador' instrument made its first appearance during this show. Recorded live between June the 15th and the 16th, 2013 at the Gran Rex Theater, Buenos Aires, Argentina.

A musical comedy show by the Argentine informal instrument ensemble Les Luthiers which revolves around a psychoanalytic therapy session, and the conversation between the two gives rise to the numbers that make up the show.

'Muchas Gracias de Nada', is a show premiered on June 15, 1979 at the Coliseo Theater in the City of Buenos Aires by the Argentinean ensemble of informal instruments, Les Luthiers. Recorded live between October 24th and 25th, 1980 at the same theater. PROGRAM: 1. La Campana Suonerá; 2. El Rey Enamorado; 3. Sinfonía Interrumpida; 4. La Tanda; 5. Canción para Moverse; 6. La Gallina Dijo Eureka; 7. Trío Op. 115; 8. Cartas de Color; 9. Tango Op. 11. In this show 'Antenor' made its first appearance, an advanced robot (for the time it was built - 1979) that weighed 80 kilos and was equipped with several motors that allowed it to move around the stage, turn its head, etc. The robot caught fire during the last performance of this play (Palacio de Bellas Artes, Mexico - 1980) in the middle of the stage and before the astonished gaze of all those who were there.

On her wedding day, Adrian, nervous, make a small mistake that aims to hide Leonora, his girlfriend, to avoid problems. But far from avoiding them, complicates the matter and the party runs the risk of end badly, like the future marriage of the couple.

The Mastropiero Awards is a musical humor theatrical show by the Argentine ensemble of informal instruments Les Luthiers, in which the classic format of their previous shows is not repeated. In this show, the group simulates an award ceremony for various artists from the fields of cinema, theater, television and music. During the ceremony, works and compositions by Johann Sebastian Mastropiero himself are performed. The play premiered at the Astengo Theater in Rosario, Argentina, on July 29, 2005

Les Luthiers is a comedy-musical group from Argentina, very popular also in several other Spanish-speaking countries such as Paraguay, Peru, Chile, Ecuador, Spain, Colombia, Mexico, Uruguay and Venezuela. They were formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities.

Premiered on June 9, 1994 at the Astengo Theater, in Rosario, Argentina. Last performance on January 31, 1999, at the Auditorium Theater, in Mar del Plata, Argentina. PROGRAM: 1 - El regreso del indio 2 - Manuel Darío 3 - Así hablaba Sali Baba 4 - El negro quiere bailar 5 - San Ictícola de los peces 6 - A la playa con Mariana 7 - Perdónala 8 - Fronteras de la ciencia 9 - Vote a Ortega Instruments premiered on this show: Bajo Barríltono Ferrocalíope. Recorded at the Auditorium Theater, Mar del Plata, Argentina, January 30, 1999.

'Mastropiero que nunca' was a theatrical humour/music show by Les Luthiers, first performed on Friday 9 September 1977 and last done on Sunday 27 February 1983 (although it was headlining only during 1977 and 1978). It consisted of nine new (never performed previously) live numbers, which ranged from a madrigal to a salsa skit. PROGRAM: 1. Jingle Bass-Pipe (Obertura); 2. La Bella y Graciosa Moza Marchose a Lavar la Ropa; 3. El Asesino Misterioso; 4. Visita a la Universidad de Wildstone; 5. Kathy, la Rrina del Saloon; 6. El Beso de Ariadna; 7. Lazy Daisy; 8. Sonatas para Latín y Piano; 9. Payada de la vaca; 10. Cantata del Adelantado Don Rodrigo Díaz de Carreras, de sus Hazañas en Tierras de Indias, de los Singulares Acontecimientos en que se vió Envuelto, y de cómo se Desenvolvió; 11. El explicado. Two new instruments were introduced during this show: the 'Calephone da Casa' and the 'Shoephone'.

The Argentinean group Les Luthiers in their show from 1989.

40 aniversario del grupo Les Luthiers