Chamila Rodríguez

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.

Chile is the only country that has privatized its waters, in favor of large corporations, to the detriment of homes in rural and urban communities. Secos is a short that makes this reality visible, through the dialog between anonymous fighters from the most heavily affected provinces, with renowned actors and actresses in the country. The objective is to activate the topic of water as a human right, to achieve in the future the recovery of this vital element as a common good for all communities and territories.

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

A determined teenager must rely on her own wits when her fractured family abandons her.

A drama centered on an office worker on the verge of retirement who begins to relive both real and imagined memories.

Between France and Chile, the journey of a young woman following in the footsteps of Chilean poet Francisco Contreras' exiled wife jostles fiction and reality.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

Experimental film where the actors don't utter a word. Tells the story of two women who get revenge on their rapists during a gala event.

A satirical take on President Salvador Allende's Popular Unity process prior to the 1973 Chilean coup d'état. The film is made up of a series of short stories, in which different worlds cross paths.

When the Chilean officials lift the ban on harvesting the shellfish "el loco" (which purportedly is an aphrodisiac) in the seaside village of Puerto Gala greed and lust take hold. Greed is embodied by Carlos Maldonato, "El Canuto," who attempts to buy all of the shellfish for a Japanese company, and by a traveling band of prostitutes that accompany the influx of fishermen. El Canuto also wrangles to get into good stead with an old flame, Sonia, who is now the proprietor of "La Pincoya," a local restaurant. But "el loco" proves more effective, and more damaging, than anyone could have guessed.

Nieves has murdered the man who was tried to rape his younger brother. Sentenced to five years in prison, she is immersed in a hard and marginal world, she does yearns to one day being released and fulfill her lifelong dream: to know the flowery desert in northern Chile. When an oversight of her captors allows her to flee, her dreams will have to wait still. She dedicates herself to managing a nightclub where her former jailmates prostitute themselves.

Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without the need of using words, trying to save themselves in a stealthy and extreme way. In order not only of getting away of the loneliness that constitutes their innermost core, but also of finding themselves, they reach for each other to get brotherly and sexual love, affection, and a space and time of their own.

Silvana returns to Chile with an intense desire to take revenge on the seven people who had to do with the overturn that her life gave after an insidious "joke" 12 years ago.

Anthology horror series that dives into urban myths, regional fears, mysteries and paranormal events. Tales full of terror, suspense and sensuality.

Series that narrates the history of Chile, from the Spanish colonization by Pedro de Valdivia and the begin of the Arauco War, to the Centennial of Chile in 1910. The show uses two main styles, jumping from one to the other. One style is the use of actors to represent certain key events. The second style is the plain explanation of the things taking place, which could be done with visual gags, with the hosts in some modern day location, or at a representation of an event.

An ode to Chilean maritime myth and storytelling. Sailors onboard the Lucerna tell stories, but before long their stories intersect.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.